A lot of what is perceived as “distance” comes from its context relative to another point of reference. In other words, a sound that is processed with some high-cut filtering, reverb/delay, and a low volume panned to one side might just sound like that in isolation (i.e., a quiet, muffled sound drenched in reverb). However, when you contrast that with a much more prominent part that is mixed to be front and center, relatively dry, and in your face, it helps to frame the soundscape and the distant part now has some context to place it in its own space.
Also, I think sounds will be more distant without raising the pre-delay. Sources that are far off usually don’t have a distinct gap between the source and the reverberation like our ears are used to hearing from close sounds in most natural environments.
Also, I think sounds will be more distant without raising the pre-delay. Sources that are far off usually don’t have a distinct gap between the source and the reverberation like our ears are used to hearing from close sounds in most natural environments.
Statistics: Posted by cryophonik — Thu May 09, 2024 4:55 am